{"id":200,"date":"2020-01-01T15:23:51","date_gmt":"2020-01-01T06:23:51","guid":{"rendered":"http:\/\/ksonimage.com\/en\/?page_id=200"},"modified":"2026-01-10T08:31:26","modified_gmt":"2026-01-09T23:31:26","slug":"text","status":"publish","type":"page","link":"https:\/\/ksonimage.com\/en\/text\/","title":{"rendered":"TEXTS"},"content":{"rendered":"<div id=\"pl-200\"  class=\"panel-layout\" ><div id=\"pg-200-0\"  class=\"panel-grid panel-has-style\" ><div class=\"panel-row-style panel-row-style-for-200-0\" ><div id=\"pgc-200-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-200-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<ul style=\"line-height: 1.8; list-style-type: square;\">\n<li>SEO, Young-Chae(2025). <a href=\"https:\/\/drive.google.com\/file\/d\/17Fcvv6GMnpq8PtevhBNLxNM6X-FPeYJw\/view?usp=sharing\">\bThreefold Landscapes, Distant Sorrow<\/a>. <em>EXILANDSCAPE<\/em>.<\/li>\n<li>MUN, Hye Jin(2024). <a href=\"https:\/\/drive.google.com\/file\/d\/1cQugkSnsoJlDKm6DK4ZgNqc5r8rVP1mD\/view?usp=drive_link\">\bAn Interview with SON Kwang-Ju<\/a>. <em>FANTASIA OF THE ARCHIVES<\/em>. Art Archives Seoul Museum of Art.<\/li>\n<li>LEE, Nara(2024). <a href=\"https:\/\/drive.google.com\/file\/d\/1WAsP4VIB-5yU0gIyjYfgEBZCX2A4wVI9\/view?usp=drive_link\">The Tale of the Man who was Reduced to an ID Number - Portraying Archives, Performing Archives<\/a>. <em>A PORTRAIT OF CITIZEN K<\/em>.<\/li>\n<li>CHO, Eun Joo(2022). <a href=\"https:\/\/www.kci.go.kr\/kciportal\/ci\/sereArticleSearch\/ciSereArtiView.kci?sereArticleSearchBean.artiId=ART002914894\">A study on the image of \u2018landscape\u2019 and emotional thinking in two \u2018landscape of fragments\u2019<\/a>. THE KOREAN LITERATURE AND ARTS Vol.44: 5-45.<\/li>\n<li>YOON, Mi-ae(2021). <a href=\"https:\/\/drive.google.com\/file\/d\/1ESwIsLZgnPxdUXa_v7WOE2LwPAH1usWS\/view?usp=sharing\">Remembering in ROCK SCISSORS PAPER Between Gloomy Gaze and Signal of Hope<\/a>. <em>PLACE, SITE, SPACE<\/em>. Whiteblock Cheonan.<\/li>\n<li>MUN, Hye Jin(2021). <a href=\"https:\/\/drive.google.com\/file\/d\/1eMfOhC5-jpk3T7joGsyVaLKpinEqYSwd\/view?usp=drive_link\">A Second Sailing for an Existential Expedition<\/a>. <em>PHAEDO<\/em>.<\/li>\n<li>HWANG, Bo-Sun(2020). <a href=\"https:\/\/drive.google.com\/file\/d\/1npHK7ZiTNlc6R1gcgeD-xmjlUXU-oTk1\/view?usp=sharing\">Interview-\"Right Now, Elsewhere\"<\/a>. Marie Claire, October. (in Korean)<\/li>\n<li>SHIN, Boseul(2019). <a href=\"https:\/\/drive.google.com\/file\/d\/1cI42TWhZjfC4clD7EhBecQGnkGH1Xbje\/view?usp=sharing\">Image and Sound, a story created by the juggling of text<\/a>. <em>SCATTERED THOUGHTS, COMBINED EXPERIENCES<\/em>. Danwon Art Museum.<\/li>\n<li>KIM, Ji-Hoon(2018). <a href=\"https:\/\/drive.google.com\/file\/d\/1nzFcz899XVm6WJlJh74ShA9lZzNi7MI-\/view?usp=sharing\">Integrating Two Avant-gardes, the Polyhedron of Different Narratives.<\/a> SeMA Nanji Residency.<\/li>\n<li>JUNG, Sera(2017). <a href=\"http:\/\/www.thestream.kr\/?p=4868\">Interview-\"Self-Portrait: Living Now\"<\/a>. THE Stream. (in Korean)<\/li>\n<li>CHA, Seung-Joo(2016). <a href=\"https:\/\/drive.google.com\/file\/d\/1WLiO9CbMebHZDB-hwOta-W39nA3Ee8Zd\/view?usp=sharing\">Interview.<\/a> <em>EMERGING OTHER<\/em>. Arko Art Center.<\/li>\n<li>LEE, Jang-Wook(2016). <a href=\"https:\/\/drive.google.com\/file\/d\/1O1JnjlTLg5F04G8bn36EB43UayQXt9fL\/view?usp=sharing\">Characters vs. Characters<\/a>. <em>EMERGING OTHER<\/em>. Arko Art Center.<\/li>\n<li>SEO, Hyun-Suk(2005). <a href=\"https:\/\/drive.google.com\/file\/d\/1tNCK5pT63O1fEC7B4QTHWU9bJgtsdm8K\/view?usp=sharing\">Monologue for the Third Power<\/a>. MIA Review. Yonsei University. (in Korean)<\/li>\n<li>OH, Jung-Yeon(2005). <a href=\"https:\/\/drive.google.com\/file\/d\/1MuYqvbtXIVSD-NXoSAOhmLbrrnIOJVA2\/view?usp=sharing\">Interview<\/a>. Cine 21 (in Korean)<\/li>\n<\/ul>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>SEO, Young-Chae(2025). \bThreefold Landscapes, Distant Sorrow. EXILANDSCAPE. MUN, Hye Jin(2024). \bAn Interview with SON Kwang-Ju. FANTASIA OF THE ARCHIVES. Art Archives Seoul Museum of Art. LEE, Nara(2024). The Tale of the Man who was Reduced to an ID Number &#8211; Portraying Archives, Performing Archives. A PORTRAIT OF CITIZEN K. CHO, Eun Joo(2022). A study on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":99,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"folder":[],"class_list":["post-200","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ksonimage.com\/en\/wp-json\/wp\/v2\/pages\/200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ksonimage.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ksonimage.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ksonimage.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ksonimage.com\/en\/wp-json\/wp\/v2\/comments?post=200"}],"version-history":[{"count":6,"href":"https:\/\/ksonimage.com\/en\/wp-json\/wp\/v2\/pages\/200\/revisions"}],"predecessor-version":[{"id":3836,"href":"https:\/\/ksonimage.com\/en\/wp-json\/wp\/v2\/pages\/200\/revisions\/3836"}],"wp:attachment":[{"href":"https:\/\/ksonimage.com\/en\/wp-json\/wp\/v2\/media?parent=200"}],"wp:term":[{"taxonomy":"folder","embeddable":true,"href":"https:\/\/ksonimage.com\/en\/wp-json\/wp\/v2\/folder?post=200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}