- MUN, Hye Jin(2024). An Interview with SON Kwang-Ju. FANTASIA OF THE ARCHIVES. Art Archives Seoul Museum of Art.
- LEE, Nara(2024). The Tale of the Man who was Reduced to an ID Number – Portraying Archives, Performing Archives. A PORTRAIT OF CITIZEN K.
- CHO, Eun Joo(2022). A study on the image of ‘landscape’ and emotional thinking in two ‘landscape of fragments’. THE KOREAN LITERATURE AND ARTS Vol.44: 5-45.
- YOON, Mi-ae(2021). Remembering in ROCK SCISSORS PAPER Between Gloomy Gaze and Signal of Hope. PLACE, SITE, SPACE. Whiteblock Cheonan.
- MUN, Hye Jin(2021). A Second Sailing for an Existential Expedition. PHAEDO.
- HWANG, Bo-Sun(2020). Interview-“Right Now, Elsewhere”. Marie Claire, October. (in Korean)
- SHIN, Boseul(2019). Image and Sound, a story created by the juggling of text. SCATTERED THOUGHTS, COMBINED EXPERIENCES. Danwon Art Museum.
- KIM, Ji-Hoon(2018). Integrating Two Avant-gardes, the Polyhedron of Different Narratives. SeMA Nanji Residency.
- JUNG, Sera(2017). Interview-“Self-Portrait: Living Now”. THE Stream. (in Korean)
- CHA, Seung-Joo(2016). Interview. EMERGING OTHER. Arko Art Center.
- LEE, Jang-Wook(2016). Characters vs. Characters. EMERGING OTHER. Arko Art Center.
- SEO, Hyun-Suk(2005). Monologue for the Third Power. MIA Review. Yonsei University. (in Korean)
- OH, Jung-Yeon(2005). Interview. Cine 21 (in Korean)